Disclosure Day Bombs
I asked the AI oracle, "Has Disclosure Day been getting bad reviews?"It answered,
Yes, Steven Spielberg's sci-fi film Disclosure Day has been receiving a significant amount of mixed and negative reviews.
While it has a decent audience score of roughly 75% on platforms like Rotten Tomatoes, critical reception has been polarizing.
"Polarizing" is a polite word for it; a good example is the YouTube review embedded above, for which I can only give an extreme bad language warning. The Critical Drinker makes the point that the two big summer blockbusters released so far, The Mandalorian and Grogu and Disclosure Day, have been runnming behind a pair of low-budget horror flicks made by YouTubers, Obsession and Backrooms, although my barber says although Obsession is good, even Backrooms isn't worth the time and money.I haven't seen any of these, but I'll speculate on why nobody's interested in Disclosure Day. In some ways, this is odd, because in his heyday, Spielberg was always a step or two ahead of the public imagination, but it seems to me that he's somehow lost it now. The first big issue is the films's MacGuffin, which is what Hitchcock called the object or secret that sets the plot in motion. In this case, it's the fact that a government contractor, Wardex, has a secret stash of evidence that extraterrestrials are real. Daniel Kellner, a brilliant data privacy expert, goes on the run after stealing part of the stash.
OK, first quick stop. I spent part of my tech career in the data privacy field. There are no geniuses in that field, only paper pushers. Even if they somehow stumbled on something important, they wouldn't have a clue it was.
Back to the main thread. Trump wrongfooted Spielberg just this past February by announcing the government would begin declassifyhing its UFO files, and several tranches have been released since May. Here's an example of what Wardex pesumably has:
The comments overwhelminmgly say it's a Chinese lantern and recommend doubters spend $20 and try several themselves. UFO clips are already part of the public imagination, and the public already expects somethiong at the Plan Nine from Outer Space level at best. If they want fantasy, Spielberg already knows how to give them fantasy, laid on thick. But this time, he's trying to leave fantasy behind, he thinks he's gonna make them ask the deep, deep questions.UFO FILES TRANCHE # 3: “NORTHEASTERN ORB SIGHTING” 2025
— UAP James (@UAPJames) June 12, 2026
FBI-UAP-PR004
In July 2025, at approximately 2100 local time in the northeastern United States, an eyewitness observed an intense bright light in their backyard as they parked their car upon returning home from work. The… pic.twitter.com/Irk7Q6pb6n
Deep questions indeed. In fact, anticipating this, legacy media had already been furrowing its brow. I got an idea: I decided to try to get AI to help me cheat on a sophomore essay. I asked the oracle, "Can you write me a wishy-washy first paragraph of an essay that says there's no conflict between Christianity and UFOs?" It answered,
While the intersection of faith and the cosmos is often debated, many theologians and philosophers argue that there is no fundamental conflict between Christianity and the existence of UFOs. Instead of mutually exclusive worldviews, they suggest that the vastness of the universe and the potential for extraterrestrial life can actually enrich one's spiritual understanding of a divine creator.
If you are writing an essay on this topic and want to narrow down your focus, I can help you.
I could probably have answered, "No, I'm actually trying to get something published at Real Clear Politics, and I just want another 750 words of anodyne blather," and it would have given me what I needed, but RCP was already there this morning:
In Disclosure Day, the head of a far-flung conspiracy to control the narrative about extraterrestrials warns of a worldwide collapse of order if the truth is revealed. But a sympathetic character, a person of faith, also is fearful of disclosure: She makes the case that humans “will stop believing in God” if they’re presented with evidence of superior beings in space to compete with the superior beings evoked by religion. “People can’t handle both,” she warns.
. . . But religious leaders here in reality tend to sound much more chill about aliens. The Vatican has acknowledged the possibility of life elsewhere in the universe and affirmed its consistency with Catholic theology. Jewish rabbis have contemplated ETs and reached the same conclusion, as have Muslim scholars who see textual evidence that life could exist out in the vastness of space. Buddhists believe that their sacred traditions anticipate that life on earth is part of a much grander cosmic community.
A similar piece made it into The Wall Street Journal, Are You There God? It’s Me, Spielberg:
The only reason to think alien theology would look radically unlike ours is if we assume from the jump that human theology is nothing but the local fiction of a primate species, rather than a set of valid claims about the rules governing the universe. But that’s exactly the kind of open question we might hope aliens, if we met any, would help us resolve. They might shock us by professing total disbelief in the things of the spirit. But they might astound us still more by finding our ideas about creation consonant with, even similar to, their own.
All these pieces do is demonstrate how easily this sort of product can be produced by AI, far more quickly. I asked the AI oracle, "What does the Wall Street Journal pay for an op-ed picee?" It answered,
The Wall Street Journal typically pays between $200 and $500 for a published op-ed piece, though rates can vary based on the author's prominence, the topic, and the exact length of the essay.
However, writers primarily submit op-eds to major national outlets like the WSJ for the prestige, thought leadership, and exposure rather than the writer's fee.
But if AI can generate the same thing that op-ed writers think can bring them prestige and thought leadership, why is anyone bothering? And this is Spielberg's miscalculation, too. It really sounds like Spielberg somehow decided these were Weighty Questions For Our Time, and he maybe thought he was gonna cap off his career with something equivalent to War and Peace. Instead, he came up with the stuff sophomore essays are made of.The public is actually ahead of this.





